{"id":204,"date":"2017-07-09T15:58:13","date_gmt":"2017-07-09T18:58:13","guid":{"rendered":"https:\/\/blogs2.correiobraziliense.com.br\/severino\/?p=204"},"modified":"2017-07-14T19:20:47","modified_gmt":"2017-07-14T22:20:47","slug":"brasilienses-fujam-para-os-museus","status":"publish","type":"post","link":"https:\/\/blogs2.correiobraziliense.com.br\/severino\/brasilienses-fujam-para-os-museus\/","title":{"rendered":"Brasilienses, fujam para os museus!"},"content":{"rendered":"
\"2017.
2017. Credito: Maria Lucia Verdi\/Divulgacao. Pintura de Pedro Alvim.<\/figcaption><\/figure>\n

 <\/p>\n

Maria Lucia Verdi<\/h4>\n

O Museu da Rep\u00fablica exibe a mostra Ru\u00eddos: a coreografia da viol\u00eancia<\/i>, de Wagner Hermusche, e o Museu dos Correios exibe Lugares e fic\u00e7\u00f5es<\/i>, de Pedro de Andrade Alvim. Duas mostras consistentes, frutos de trajet\u00f3rias s\u00f3lidas, que nos impactam de modo totalmente distinto.<\/p>\n

Dois artistas brasilienses com viv\u00eancia europeia, que nos trazem universos dissimiles, mas que se aproximam como contrapontos, como as extremidades do c\u00edrculo (o real) se encontram. Frente a essas duas trajet\u00f3rias, damos um Viva \u00e0 Subjetividade, aquela que teima em resistir como conceito, num tempo hist\u00f3rico avassalador, onde as individualidades est\u00e3o mais e mais padronizadas. Um Viva tamb\u00e9m \u00e0 pintura e ao desenho!<\/p>\n

Hermusche reitera, com grande impacto visual, os signos, os s\u00edmbolos, a linguagem da viol\u00eancia, da realidade e da tecnologia invasoras; Pedro Alvim revisita signos e s\u00edmbolos da hist\u00f3ria da arte e da cultura ocidental, relendo-os pelo vi\u00e9s da cita\u00e7\u00e3o, da homenagem (algumas vezes comovedora, como em \u201cMedusa\u201d e em \u201cSpitzberg\u201d) e, mesmo, do humor.<\/p>\n

Hermusche nos crava no peito uma bala perdida. Pedro Alvim faz com que nos percamos em seus lugares de fic\u00e7\u00e3o. Une-os, o cen\u00e1rio aberto e devastador desta capital apocal\u00edptica – espa\u00e7o para coreografias assustadoras, mas tamb\u00e9m espa\u00e7o para aventuras de um olhar inquieto, que reinventa.<\/p>\n

\"Credito:
Credito: Wagner Hermusche\/Divulga\u00e7\u00e3o<\/figcaption><\/figure>\n

 <\/p>\n

Hermusche traz a agressividade do que vemos e ouvimos na m\u00eddia, ali\u00e1s, do que n\u00e3o aguentamos mais ler e ouvir. Como diz no texto autoral de apresenta\u00e7\u00e3o, ele retrata o poder das corpora\u00e7\u00f5es, do capital e seu discurso \u00fanico, do perigo do estilo de vida contempor\u00e2neo, do isolamento das individualidades, do horror da pol\u00edtica muito bem expresso em um dos grandes quadros da mostra.<\/p>\n

Pedro Alvim traz a possibilidade da moment\u00e2nea evas\u00e3o desse mundo \u2013 em suas pinturas, nos perdemos no imagin\u00e1rio de outros tempos, um flanar pela pintura em si. As evoca\u00e7\u00f5es de uma fic\u00e7\u00e3o surpreendente, de um autor que \u00e9 como o alter ego daquele (o mesmo) que escreve o \u201cLibreto\u201d distribu\u00eddo na mostra, libreto de uma \u00f3pera cifrada, ao mesmo tempo bufa e nost\u00e1lgica \u2013 a pr\u00f3pria mostra.<\/p>\n

A arte contempor\u00e2nea \u00e9 assim m\u00faltipla, com mil faces, h\u00edbrida, imposs\u00edvel de restringir – como o mundo de hoje, que nos escapa, fluido, l\u00edquido, escorrendo como nas pinturas de Pedro Alvim, ao mesmo tempo que se afirma concreto e cruel, como no trabalho de Hermusche. Necessitamos da arte pol\u00edtica de Wagner Hermusche, necessitamos da arte atemporal de Pedro Alvim. Brasilienses, fujam para os museus!<\/p>\n

Maria Lucia Verdi \u00e9 poeta.<\/h4>\n","protected":false},"excerpt":{"rendered":"

O Museu da Rep\u00fablica exibe a mostra Ru\u00eddos: a coreografia da viol\u00eancia, de Wagner Hermusche, e o Museu dos Correios exibe Lugares e fic\u00e7\u00f5es, de Pedro de Andrade Alvim. Duas mostras consistentes, frutos de trajet\u00f3rias s\u00f3lidas, que nos impactam de modo totalmente distinto.<\/p>\n","protected":false},"author":73,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-204","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"yoast_head":"\nBrasilienses, fujam para os museus! - Blog do Severino Francisco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs2.correiobraziliense.com.br\/severino\/brasilienses-fujam-para-os-museus\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brasilienses, fujam para os museus! - Blog do Severino Francisco\" \/>\n<meta property=\"og:description\" content=\"O Museu da Rep\u00fablica exibe a mostra Ru\u00eddos: a coreografia da viol\u00eancia, de Wagner Hermusche, e o Museu dos Correios exibe Lugares e fic\u00e7\u00f5es, de Pedro de Andrade Alvim. 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