{"id":771,"date":"2019-04-18T12:30:45","date_gmt":"2019-04-18T15:30:45","guid":{"rendered":"https:\/\/blogs2.correiobraziliense.com.br\/severino\/?p=771"},"modified":"2019-04-22T11:40:24","modified_gmt":"2019-04-22T14:40:24","slug":"o-olhar-de-mila-petrillo","status":"publish","type":"post","link":"https:\/\/blogs2.correiobraziliense.com.br\/severino\/o-olhar-de-mila-petrillo\/","title":{"rendered":"O olhar de Mila Petrillo"},"content":{"rendered":"
\"\"
Cr\u00e9dito: Rayssa Petrillo\/Divulga\u00e7\u00e3o. Fot\u00f3grafa Mila Petrillo<\/strong><\/figcaption><\/figure>\n

 <\/p>\n

Severino Francisco<\/strong><\/p>\n

 <\/p>\n

Confesso que entrei meio derrubado pelas not\u00edcias ruins do pa\u00eds na exposi\u00e7\u00e3o Atos \u2013 Artes c\u00eanicas e dan\u00e7a nas d\u00e9cadas de 1980 e 1990<\/i>, em cartaz no Museu da Rep\u00fablica. Mas sa\u00ed de l\u00e1 com nova alma, atingido em cheio pela beleza das imagens.<\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo\/Divulga\u00e7\u00e3o. Cena de Vi\u00fava por\u00e9m honesta. Exposi\u00e7\u00e3o Ato:\u00a0 teatro e dan\u00e7a por Mila Petrillo<\/strong><\/figcaption><\/figure>\n

 <\/p>\n

Carmem Moretzsohn (curadora da mostra), Gioconda Caputo e eu tivemos o privil\u00e9gio de trabalhar com Mila Petrillo durante mais de 20 anos e fiz v\u00e1rias pautas que resultaram nas fotos. Mesmo assim, continuam a provocar o espanto, o \u00eaxtase e a surpresa. E isso acontece porque, al\u00e9m de jornalismo, s\u00e3o arte na acep\u00e7\u00e3o mais alta da palavra.<\/p>\n

Ela n\u00e3o faz fotos de teatro; faz teatro com as fotos. Capta a alma dos personagens e das cenas, com a t\u00e9cnica e o cora\u00e7\u00e3o. A maioria foi tirada para cobertura jornal\u00edstica no caderno de cultura do Correio<\/b>.<\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo. Exposi\u00e7\u00e3o Ato: teatro e dan\u00e7a por Mila Petrillo<\/figcaption><\/figure>\n

As imagens da Mila nos ajudam a perceber que, com todas as condi\u00e7\u00f5es adversas, Bras\u00edlia construiu um vigoroso movimento de artes c\u00eanicas nas d\u00e9cadas de 1980 e 1990, que se estende at\u00e9 hoje. Atos<\/i> \u00e9 uma exposi\u00e7\u00e3o que dignifica Bras\u00edlia e deveria ser mostrada em outros estados.<\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo\/Divulga\u00e7\u00e3o. Circo Udigrudi: comendo poeira\u00a0<\/strong><\/figcaption><\/figure>\n

Algu\u00e9m disse com muito senso de humor que existe o Sebasti\u00e3o Salgado e Mila doce. Sim, ela \u00e9 uma entidade da beleza, da afirma\u00e7\u00e3o, do otimismo e da amorosidade. Tomo a liberdade de compartilhar com voc\u00eas trecho do texto que escrevi para o cat\u00e1logo da exposi\u00e7\u00e3o.<\/p>\n

\u201cNos tempos de crian\u00e7a, quando os adultos perguntavam a Mila Petrillo o que ela gostaria de ser quando crescesse, ela sempre respondia: pintora, bailarina, atriz, diretora de teatro ou cineasta. E, de fato, Mila \u00e9 um pouco de tudo isso com uma c\u00e2mera na m\u00e3o. Suas fotos s\u00e3o, esteticamente, multim\u00eddias, t\u00eam algo de cinema, de pintura, de teatro, de escultura, de artes pl\u00e1sticas e de bal\u00e9.<\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo\/Divulga\u00e7\u00e3o. Carmem Moretzshon em Vi\u00fava, por\u00e9m honesta<\/strong><\/figcaption><\/figure>\n

Algumas vezes, destacam-se pelo enquadramento ou os jogos de luz, sombra e cor, como se fossem cinematizadas. Em outras, apresentam-se com o aspecto de esculturas vivas, na acuidade para captar as curvas, os volumes, as sali\u00eancias, as reentr\u00e2ncias, a musculatura e a materialidade do corpo.<\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo. M\u00e1rcia Duarte, exposi\u00e7\u00e3o Ato:\u00a0 teatro e dan\u00e7a por Mila Petrillo<\/strong><\/figcaption><\/figure>\n

 <\/p>\n

Ou ent\u00e3o revelam-se quase como pinturas impressionistas, com os corpos se desintegrando nas cores e ganhando a leveza da luz. Ou flagram, a seco, na fisionomia do rosto, o \u00e1timo desvelador do estado de esp\u00edrito do personagem. Ou, ainda, as imagens das cenas teatrais dan\u00e7am como uma pintura em movimento. E o movimento da dan\u00e7a ganha um ritmo de m\u00fasica para os olhos.<\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo<\/strong>. Exposi\u00e7\u00e3o Ato: Teatro e dan\u00e7a sob o olhar de Mila Petrillo<\/strong><\/figcaption><\/figure>\n

Se nas fotos da cobertura do Festival de Bras\u00edlia do Cinema Brasileiro, Mila valorizava o enquadramento, a composi\u00e7\u00e3o do quadro e o jogo de claro e escuro; nas imagens de artes c\u00eanicas e dan\u00e7a, ela explora o movimento, a gestualidade dram\u00e1tica, as m\u00e1scaras faciais, a materialidade do corpo e as reverbera\u00e7\u00f5es da luz. Ela tem o instinto fulminante da beleza. Fica de tocaia com a m\u00e1quina na m\u00e3o e o olho atento \u00e0 espera de captar a luz precisa que lhe permitir\u00e1 registrar um instante fugaz de eternidade.<\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo\/Divulga\u00e7\u00e3o. Hugo Rodas no espet\u00e1culo A teia.<\/strong><\/figcaption><\/figure>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

As imagens que arranca da cena documentam, enfatizam, sublinham, recortam, amplificam, desdobram, estendem e dramatizam. S\u00e3o imagens vivas que agonizam, gritam, sorriem, sofrem, deslocam-se, pulam, levitam, fecham-se em drama est\u00e1tico, gargalham ou silenciam. S\u00f3 faltam sair da moldura e convidar os leitores para tomarem uma cerveja no Beirute ou comerem um pastel com caldo de cana na Rodovi\u00e1ria\u201d.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"
Cr\u00e9dito: Mila Petrillo. Exposi\u00e7\u00e3o Ato\u00a0 teatro e dan\u00e7a por Mila Petrillo<\/strong><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

  Severino Francisco   Confesso que entrei meio derrubado pelas not\u00edcias ruins do pa\u00eds na exposi\u00e7\u00e3o Atos \u2013 Artes c\u00eanicas e dan\u00e7a nas d\u00e9cadas de 1980 e 1990, em cartaz no Museu da Rep\u00fablica. Mas sa\u00ed de l\u00e1 com nova alma, atingido em cheio pela beleza das imagens.     Carmem Moretzsohn (curadora da mostra), Gioconda Caputo e eu tivemos […]<\/p>\n","protected":false},"author":73,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-771","post","type-post","status-publish","format-standard","hentry","category-cronicas"],"yoast_head":"\nO olhar de Mila Petrillo - Blog do Severino Francisco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs2.correiobraziliense.com.br\/severino\/o-olhar-de-mila-petrillo\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O olhar de Mila Petrillo - Blog do Severino Francisco\" \/>\n<meta property=\"og:description\" content=\"  Severino Francisco   Confesso que entrei meio derrubado pelas not\u00edcias ruins do pa\u00eds na exposi\u00e7\u00e3o Atos \u2013 Artes c\u00eanicas e dan\u00e7a nas d\u00e9cadas de 1980 e 1990, em cartaz no Museu da Rep\u00fablica. Mas sa\u00ed de l\u00e1 com nova alma, atingido em cheio pela beleza das imagens.     Carmem Moretzsohn (curadora da mostra), Gioconda Caputo e eu tivemos […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs2.correiobraziliense.com.br\/severino\/o-olhar-de-mila-petrillo\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog do Severino Francisco\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-18T15:30:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-22T14:40:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs2.correiobraziliense.com.br\/severino\/wp-content\/uploads\/sites\/29\/2019\/04\/CBNFOT060720171077.jpg\" \/>\n<meta name=\"author\" content=\"Severino\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Severino\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/\"},\"author\":{\"name\":\"Severino\",\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/#\\\/schema\\\/person\\\/8ec724614980cf1258f9b7d6b5a36419\"},\"headline\":\"O olhar de Mila Petrillo\",\"datePublished\":\"2019-04-18T15:30:45+00:00\",\"dateModified\":\"2019-04-22T14:40:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/\"},\"wordCount\":811,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/wp-content\\\/uploads\\\/sites\\\/29\\\/2019\\\/04\\\/CBNFOT060720171077.jpg\",\"articleSection\":[\"Cr\u00f4nicas\"],\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/\",\"url\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/\",\"name\":\"O olhar de Mila Petrillo - Blog do Severino Francisco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/wp-content\\\/uploads\\\/sites\\\/29\\\/2019\\\/04\\\/CBNFOT060720171077.jpg\",\"datePublished\":\"2019-04-18T15:30:45+00:00\",\"dateModified\":\"2019-04-22T14:40:24+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/#\\\/schema\\\/person\\\/8ec724614980cf1258f9b7d6b5a36419\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/o-olhar-de-mila-petrillo\\\/#primaryimage\",\"url\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/wp-content\\\/uploads\\\/sites\\\/29\\\/2019\\\/04\\\/CBNFOT060720171077.jpg\",\"contentUrl\":\"https:\\\/\\\/blogs2.correiobraziliense.com.br\\\/severino\\\/wp-content\\\/uploads\\\/sites\\\/29\\\/2019\\\/04\\\/CBNFOT060720171077.jpg\",\"width\":800,\"height\":1200,\"caption\":\"Cr\u00e9dito: Rayssa Petrillo\\\/Divulga\u00e7\u00e3o. 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